Harvey’s tribute is extraordinary, yet orthodox Shakespeareans and anti-Stratfordians alike have almost entirely ignored it. La conscience comme l'argent sont inégalement partagés. Just think of how obsessed the work is with mistaken identities, concealed women, forged and anonymous documents—with the error of trusting in outward appearances. Line Renaud que L'Humanité célèbre aussi ce matin comme l'incarnation de la précarité des personnes âgées, pour un téléfilm diffusé sur Arte : elle a tout. “Whatever you do, Buy,” the compilers urged in their dedication, intent on a hard sell for a dramatist who, doubters emphasize, was curiously unsung at his death. Emilia Bassano was born in London in 1569 to a family of Venetian immigrants. Il s'appelait Franz Jägerstätter, il était Autrichien et profondément catholique et avait ressenti comme une trahison le ralliement politique de son église à Hitler après l'annexion du pays. Could she have been the “Dark Lady” of Shakespeare’s sonnets? Was Bassano (then just entering her teens) on the trip? She is arguably the subject of one of the most celebrated sequences of poetry in literature, Shakespeare’s Sonnets. What of her own poems? I would eat his heart in the marketplace”). Five years younger than Shakespeare, she outlived him by three decades. Later, as the mistress of Henry Carey (43 years her senior), Bassano gained access to more than the theater world. In a satirical poem called “On Poet-Ape,” Jonson was likely taking aim at Shakespeare the theater-world wheeler-dealer. And that is only the start. “Why was Shakespeare able to see the woman’s position, write entirely as if he were a woman, in a way that none of the other playwrights of the age were able to?” In her book about the plays’ female characters, Tina Packer, the founding artistic director of Shakespeare & Company, asked the question very much on my mind. Elle était d'ascendance juive convertie et on lui devrait le plaidoyer de Shylock dans Le Marchand de Venise. I was stunned to realize that the year The Winter’s Tale was likely completed, 1611, was the same year Bassano published her book of poetry, Salve Deus Rex Judæorum. Long before Tina Packer marveled at the bard’s uncanny insight, others were no less awed by the empathy that pervades the work. None of the candidates has succeeded in dethroning the man from Stratford. And then, in late 1592, Bassano (now 23) was expelled from court. Emilia Lanier (also spelt Aemilia or Amelia Lanyer, 1569–1645), née Aemilia Bassano, was the first Englishwoman to assert herself as a professional poet, through a single volume of poems, Salve Deus Rex Judaeorum (Hail, God, King of the Jews, 1611). Why was her story erased from history? As well as this, Carey was the master of entertainment for the royal household, who also served as patron for William Shakespeare’s acting company at the time; Lord Chamberlain’s men. Did I tell this, / Who would believe me?”). Knew Queen Elizabeth I. Like Shakespeare, she lived in London on the fringes of the court and cultivated the favour of powerful people. Would the effect be a blow to the cultural patriarchy, or the erosion of the canon’s status? Nor did he leave any musical instruments, though the plays use at least 300 musical terms and refer to 26 instruments. Gérald Piqué, vedette de Barcelone auquel il a apporté un maillot-sponsor, homme d’affaire qui a reformaté la coupe Davis de tennis, s'extasie de la puissance que donnent au footballeur les réseaux sociaux, qui permettent de contrôler son message sans ces journalistes qui posent les mauvaises questions... Piqué est très beau. Kate, in The Taming of the Shrew, refusing to be silenced by her husband (“My tongue will tell the anger of my heart, / Or else my heart concealing it will break”). Despite the glittering dowry, Lanier must not have been pleased. Bassano lived, Hudson points out, “an existence on the boundaries of many different social worlds,” encompassing the breadth of the Shakespeare canon: its coarse, low-class references and its intimate knowledge of the court; its Italian sources and its Jewish allusions; its music and its feminism. Joseph Atwill & Jeffrey Daugherty DMT – Investigation of Occult Realities Using the Spirit Molecule Ancient Mystery Religion Archeology (Bill Cooper) – ROBERT SEPEHR 11 Compelling Facts about Emilia (also spelled Æmilia and Amelia) Bassano Lanyer*: She became first female poet published in England with a radical treatise advocating for women. La conscience de Franz Jägerstätter, qui mourut pour ne pas se battre pour Hitler, "La Vie". Poet Niall McDevitt tells the widely known but little appreciated story of Emilia Bassano, Shakespeare’s lifelong muse, and – as Emilia Lanier – the first woman to publish a book of original poetry in England. What if searchers for the real Shakespeare simply haven’t set their sights on the right pool of candidates? Unlike Shakespeare’s Emilia, Lanyer exalts female spirituality and virtue. Shakespeare’s women repeatedly subvert such teachings, perhaps most radically in The Winter’s Tale, another drama of male cruelty. Her Bassano lineage—some scholars suggest the family were conversos, converted or hidden Jews presenting as Christians—could also help account for the Jewish references that scholars of the plays have noted. Over more tea, I tested Hudson’s room for flexibility. In her book of poetry, she praised her guardian as “the Mistris of my youth, / The noble guide of my ungovern’d dayes.”. When Bassano’s father, Baptista, died in 1576, Emilia, then 7, was taken in by Susan Bertie, the dowager countess of Kent. What’s missing is any sign that he wrote. Strangest of all, he made no mention of manuscripts or writing. Her writing style bears no obvious resemblance to Shakespeare’s in his plays, though Hudson strains to suggest similarities. This captivating story is a sweeping tale of court life, plague, intrigue, and deception. Non seulement Shakespeare ne serait pas Shakespeare mais, en plus, il serait une femme ! Born in London in 1569 to a family of Venetian immigrants—musicians and instrument-makers who may have been Jewish—she was one of the first women in England to publish a volume of poetry (suitably religious yet startlingly feminist, arguing for women’s “Libertie” and against male oppression). Would (male) myths of inexplicable genius take a hit? Achetez et téléchargez ebook How William Shakespeare and Emilia Bassano-Lanier Invented Romantic Love (English Edition): Boutique Kindle - History & Criticism : Amazon.fr The people of the time were just as eager to have their own name on their own poetry as today! Emilia dramatises the life of Emilia Bassano, a sixteenth-century writer, teacher, poet and mother credited as ‘The Dark Lady’ of Shakespeare and who is considered to be a muse and inspiration for William Shakespeare Bassano family, being named Bassano, Lupo or Lanier (M.Wilson 187-8). Emilia Bassano Lanyer's Jewish family tree and history can be traced back to the 1300s and Sephardic scholars in Morocco. Le Magazine de la Croix nous conte la saga des vitraux de Conques que Soulages réalisa. These are specific links between Amelia’s family and the company which performed most of Shakespeare’s plays. Look behind the scenes of our new play about England's first published female poet: po.st/Emilia2018 I thought of Bassano’s Salve Deus, in which she writes that men have wrongly taken credit for knowledge: “Yet Men will boast of Knowledge, which he tooke / From Eve’s faire hand, as from a learned Booke.”, The night after the meeting, I went to a performance of Antony and Cleopatra at the National Theatre. Carey, the queen’s cousin, held various legal and military positions. The case for Emilia Bassano. It is directed by Nicole Charles with set and [1] Some have even suggested that Bassano may have been Shakespeare's mistress at some point. Arguing that the crucifixion, a crime committed by men, was a greater crime than Eve’s, she challenges the basis of men’s “tyranny” over women. TheAtlantic.com Copyright (c) 2020 by The Atlantic Monthly Group. one of the first women in England to publish a volume of poetry, is now accepted, pursued and published by leading orthodox scholars, Such Ado: The Fight for Shakespeare’s Puns. Sonnets 127-154 concern not so much a lady who is She published a book of poetry in 1611 called Salve Deus Rex Judaeorum, in which the title poem makes a strong argument for women’s equality. And her imprint, as Hudson reads the plays, extends over a long period. A 1584 document about the arrest of two Bassano men records them as “black”—among Elizabethans, the term could apply to anyone darker than the fair-skinned English, including those with a Mediterranean complexion. L'Indépendant est caustique, qui me dit qu'un homme vient d'être confirmé coupable en appel pour avoir, en 2010, tiré sur des contradicteurs dans un camp de gens du voyage, après une dispute concernant une chanson de Johnny... PolitiqueInternationalSociétéÉconomieJusticeEnvironnementSport, RockMusiques urbainesMusiques du mondeChanson françaiseSoulÉlectroLes playlistsActualités musicalesConcerts, Bien-êtreSexualitéParentalitéÉducationAmourRecettes de cuisine, Connectez-vous pour retrouver vos favoris sur tous vos écrans et profiter d'une expérience personnalisée. There are Plenty of References to Her Name in Shakespeare's Plays The use of Emilia Bassano's name occurs in: -Emilia in the Comedy of Errors -Bassianus in Titus Andronicus (the original Roman name of Bassano Del Grappa, Bassano's family's hometown) -Emilia in Othello -An earlier version of the Taming of the Shrew features a daughter named Emilia This was at a time when the name … Fue la primera mujer de finales del Renacimiento inglés cuya obra se publicó. Rosalind, in As You Like It, affecting the swagger of masculine confidence to escape those limitations (“We’ll have a swashing and a martial outside, / As many other mannish cowards have / That do outface it with their semblances”). The more than 70 documents that exist show him as an actor, a shareholder in a theater company, a moneylender, and a property investor. Le poison au CBD trafiqué, coupé d'héroïne et d'excrément, que l'on vend aux gosses devant le lycée, l'Union. Amelia Bassano Lanier (1569–1645), a hard working author who wasn’t immediately extinguished by her complex female life, is a useful corrective to Virginia Woolf's mythical "Judith Shakespeare." Hudson sees her misery reflected in the sonnets, thought to have been written from the early 1590s to the early 1600s. Elle est la première anglaise à s'affirmer comme une poétesse professionnelle par le biais de son seul et unique recueil de poèmes, Salve Deus Rex Judaeorum (1611). Pour refaire le monde, il faut entamer une révolution du détail, acuité de Bernard Latour dans "Le magazine des Echos". “If Eve did err, it was for knowledge sake,” she writes. Amelia Bassano Lanier (1569–1645), a hard working author who wasn’t immediately extinguished by her complex female life, is a useful corrective to Virginia Woolf's mythical "Judith Shakespeare." Megan Rapinoe demande aux grands hommes de son sport de l'aider à changer le monde, "France-Football". One thought on “ Notable Renaissance women: some context for ‘Emilia’ ” rcs on 5 February, 2019 at 5:07 pm said: Scholars have observed that it reads as a “transgressive” defense of Eve and womankind. This poet-ape, Jonson wrote, “from brokage is become so bold a thief,”, What to make of the fact that Jonson changed his tune in the prefatory material that he contributed to the First Folio of plays when it appeared seven years after Shakespeare’s death? Amelia Bassano was born in 1569 of the union between Margaret Johnson, a Christian, and Baptista Bassano, one of a group of Jewish musicians brought from Venice by Henry VIII. (Perhaps, theories go, he chatted with travelers or consulted books.) Theories that others wrote the corpus of work attributed to William Shakespeare (who was born in Stratford-upon-Avon in 1564 and died in 1616) emerged in the mid-19th century. “People have been totally frustrated with authorship debates that go nowhere, but that’s because there have been 200 years of bad candidates,” one participant from the University of Toronto exclaimed. No such void exists for other major writers of the period, as a meticulous scholar named Diana Price has demonstrated. West End Review: ‘Emilia’ This rollicking play imagines the life of Shakespeare's mysterious "dark lady" for an all-female cast. Born into a family of royal musicians, possibly from Venice, Emilia was part of the minor gentry during Shakespeare’s lifetime. For example, court records show payment to Ben Jonson for “those services of his wit & pen.” Desperate to come up with comparable material to round out Shakespeare, scholars in the 18th and 19th centuries forged evidence—later debunked—of a writerly life. The theater’s summer 2018 season concluded with a new play, Emilia, about a contemporary of Shakespeare’s named Emilia Bassano. A tantalizing nudge lies buried in the writings of Gabriel Harvey, a well-known Elizabethan literary critic. Poet Niall McDevitt tells the widely known but little appreciated story of Emilia Bassano, Shakespeare’s lifelong muse, and – as Emilia Lanier – the first woman to publish a book of original poetry in England. Dans France-Football, se bat une autre femme tout aussi dérangeante. Let them inspire and unite us. With Love’s Labour’s Lost, in 1598, it started appearing on the title pages of one-play editions called “quartos.” (Several of the plays attributed to Shakespeare were first published anonymously.) Each of the male possibilities requires an elaborate theory to explain his use of another’s name. I was curious to take the temperature of the combative authorship debate as women edge their way into it. ), Further on, in Othello, another Emilia appears—Iago’s wife. Known today as the first woman in England to publish a book of original poetry, Amelia Bassano was born in 1569 into a family of secret Jews (known as Marranos or Conversos) living in London. Emilia drops out in the later version, and the father is now called Baptista (the name of Bassano’s father). The critic John Ruskin said, “Shakespeare has no heroes—he has only heroines.” A striking number of those heroines refuse to obey rules. My delving left me in agreement, not that the briefs for the male alternatives struck me as compelling either. “If you prick us, do we not bleed?” A Midsummer Night’s Dream draws from a passage in the Talmud about marriage vows; spoken Hebrew is mixed into the nonsense language of All’s Well That Ends Well. I met Emilia Bassano’s most ardent champion at Alice’s Tea Cup, which seemed unexpectedly apt: A teahouse on Manhattan’s Upper West Side, it has quotes from Alice in Wonderland scrawled across the walls. Kit Marlowe. To hear more feature stories, see our full list or get the Audm iPhone app. She seems just as likely as any of the other candidates to this ridiculous conspiracy theory. Elle est la première anglaise à s'affirmer comme une poétesse professionnelle par le biais de son seul et unique recueil de poèmes, Salve Deus Rex Judaeorum (1611). The profile is remarkably coherent, adding up to a mercenary impresario of the Renaissance entertainment industry. Look behind the scenes of our new play about England's first published female poet: po.st/Emilia2018 Attempts have been made to identify her with Shakespeare's "Dark Lady". The people of the time were just as eager to have their own name on their own poetry as today! I sat enthralled, still listening for the poet in her words, trying to catch her reflection in some forgotten bit of verse. Records show that the trip included state dinners with Rosencrantz and Guildenstern, whose names appear in the play. Jonson’s praise there did more than attribute the work to Shakespeare. In 1591, the dramatist Robert Greene wrote of the practice of “underhand brokery”—of poets who “get some other Batillus to set his name to their verses.” (Batillus was a mediocre Roman poet who claimed some of Virgil’s verses as his own.) ** Her existence was unearthed in 1973 by the Oxford historian A. L. Rowse, who speculated that she was Shakespeare’s mistress, the “dark lady” described in the sonnets. Her famous speech against abusive husbands, Hudson notes, doesn’t show up until 1623, in the First Folio, included among lines that hadn’t appeared in an earlier version (lines that Stratfordians assume—without any proof—were written before Shakespeare’s death). Lisez « How William Shakespeare and Emilia Bassano-Lanier Invented Romantic Love » de Paul Kauffman disponible chez Rakuten Kobo. Like a cross-dressing Shakespearean heroine, Bassano refuses to play by the rules, heretically reinterpreting scripture. But the family link to the home country offers support for the fine-grained familiarity with the region that (along with in-depth musical knowledge) any plausible candidate for authorship would seem to need—just what scholars have had to strain to establish for Shakespeare. At least one eminent Shakespeare scholar, Phyllis Rackin, of the University of Pennsylvania, challenges the blanket assumption that the commercial drama pouring forth in the period bore no trace of a female hand. Emilia Lanier (également orthographié Aemilia (ou Amelia) Lanyer) (1569-1645), née Bassano, est une poétesse britannique du XVIe siècle. Emilia Lanier (née Bassano) is considered the first female to become a professional poet in England. Who was this woman writing “immortal work” in the same year that Shakespeare’s name first appeared in print, on the poem “Venus and Adonis,” a scandalous parody of masculine seduction tales (in which the woman forces herself on the man)? Kit Marlowe. Isabella, in Measure for Measure, fearing no one will believe her word against Angelo’s, rapist though he is (“To whom should I complain? Orthodox Shakespeare scholars have proposed Baptist Bassano on 27thJanuary 1569 in writing the Shakespeare plays bit verse. 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